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Design Milk’s Friday Five profile examines Veronica Mishaan’s renovation of a 6,250-square-foot Bogotá penthouse that has belonged to its owners’ family for more than 30 years. The redesign updates the layout and adds custom finishes while retaining family art, furniture and personal memories.
Design Milk has profiled designer Veronica Mishaan’s renovation of a 6,250-square-foot penthouse in Bogotá, detailing how the project updated a home held by the owners’ family for more than 30 years without removing its accumulated art, furniture and memories. The reported design combines reworked rooms and custom finishes with treasured objects and contemporary pieces, while drawing inspiration from views of the Andes.
The profile describes a home reconfigured for the owners’ current stage of life. Mishaan’s team introduced custom tinted, wide-plank oak floors, smooth-plaster walls and a combination of recessed and decorative lighting. The primary suite was moved to a new location, and the guest rooms were adapted for family use, including custom bunk beds for visiting grandchildren.
Existing belongings remain part of the design rather than serving as background. The article says furniture and artwork were reused and placed in new locations; a desk now in the primary bedroom, for example, had previously stood in the living room. New elements include a custom staircase railing cast in bronze from molds of a tree branch, a family-room bookcase wrapped in parchment and furnishings selected for different rooms.
Design Milk reports that the penthouse includes views of the Andes, which informed the palette and materials. The playroom uses sage-green millwork and honey-oak floors, while earthy colors and botanical details recur elsewhere. The primary bathroom combines pink marble with blue-and-white waterjet marble, and the dressing room features mirrored walls, a custom vanity and a curved upholstered bench. The article credits photography to Max Burkhalter.
Keeping Family History in the Design
The project offers a specific example of renovation as adaptation rather than a full reset. Its central design challenge, as presented in the profile, was to make a long-held home work for its owners’ present needs while preserving objects and associations built up over decades. That balance is reflected in both the layout changes and the decision to relocate or retain existing pieces.
For readers interested in residential design, the penthouse also shows how a home’s setting and personal collection can guide material choices. Mishaan used the mountain views and surrounding landscape as references, but the profile ties those choices to individual rooms and family use: a child-friendly room, a revised primary suite and gathering spaces designed to bring people together. These are the designer’s reported intentions and the publication’s account of the finished project, not an independent evaluation of how the home functions.
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From Family Firm to Independent Practice
Mishaan told Design Milk that she grew up around design through her mother, Susana Mishaan de Millán, a designer working in Bogotá and Cartagena. She studied quantitative economics and international relations at Tufts University and initially hoped to pursue painting. At her father’s encouragement, she began helping her mother’s interior design practice. What she expected to be six months of work became a longer career, she said.
Mishaan and her mother developed M De M Designs, creating bespoke interiors and handcrafted furnishings. After six years, Mishaan took sole leadership and established Veronica Mishaan Design House. The profile says the practice now has offices in New York City, Bogotá and Bermuda and works across residential, hospitality, commercial and product design. Mishaan described her approach as treating each interior like a canvas, with color, texture, geometry and materials balanced according to the project and client.
“The client wanted this home to be updated for a new stage of life, but did not want to erase all the memories that had been made there over 30-plus years.”
— Veronica Mishaan, speaking to Design Milk
Project Details Not in the Profile
The source presents the project through a designer interview and a photo-led design profile. It does not identify the owners, specify when the renovation took place, give a project budget or timeline, or describe construction methods beyond selected materials and custom elements. It also does not provide an independent account from the residents or details about the home’s condition before work began.
The profile describes the design intent and features, but does not report how the owners use the updated rooms or whether the renovation met particular performance, accessibility or sustainability targets. Those details remain unreported in the material provided.
No Further Project Milestone Reported
The source is a design feature, not an announcement of work still underway. It reports no upcoming construction phase, public opening or follow-up milestone for the penthouse. The immediate next step for readers seeking more detail is to consult the full Design Milk profile and its accompanying photography; any further information about the owners’ experience or the renovation’s schedule would require additional reporting.
Key Questions
What is the Bogotá penthouse project?
It is a 6,250-square-foot apartment renovated by designer Veronica Mishaan for a family whose home had been in their possession for more than 30 years, according to Design Milk.
What was the main aim of the renovation?
Mishaan said the owners wanted the home updated for a new stage of life without losing memories associated with it. The design retained and relocated existing furniture and artwork while changing the layout and adding custom finishes.
How did the Andes views influence the design?
Mishaan told Design Milk that Bogotá’s mountain views were a source of inspiration. The profile connects the landscape to earthy tones, wood details, botanical motifs and the sage-green millwork in the playroom.
What features were added for family use?
The reported changes include a reconfigured primary suite, guest rooms tailored to the family and custom bunk beds for visiting grandchildren. The article also describes seating and gathering areas designed around conversation.
Who photographed the penthouse?
Design Milk credits the project photography to Max Burkhalter.
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